песня из фильма призрак оперы

Ответ от Пользователь удален[гуру]
Пожалуйста! ) давно у меня лежит, еще со времен увлечения этим фильмом! )ACT ONE - PARIS 1881 PrologueTHE STAGE OF THE PARIS OPERA, 1905 (The contents of the opera house are being auctioned off. An AUCTIONEER, PORTERS, BIDDERS, and RAOUL, seventy now, but still bright of eye. The action commences with a blow from the AUCTlONEER’s gavel) AUCTIONEER Sold. Your number, sir? Thank you. Lot 663, then, ladies and gentlemen: a poster for this house’s production of «Hannibal» by Chalumeau. PORTER Showing here. AUCTIONEER Do I have ten francs for this? Five then. Five I am bid. Six, seven. Against you, sir, at seven. Eight. Eight once. Selling twice. Sold, to Raoul, Vicomte de Chagny. Lot 664: a wooden pistol and three human skulls from the 1831 production of «Robert le Diable» by Meyerbeer. Ten francs for this. Ten, thank you. Ten I’m bid....Fifteen! Fifteen I am bid. Going at fifteen. Your number, sir? Thank you. 665, ladies and gentlemen: a papier-mache musical box, in the shape of a barrel-organ. Attached, the figure of a monkey in Persian robes playing the cymbals. This item, discovered in the vaults of the theatre, still in working order. PORTER (holding it up) Showing here. (He sets it in motion) AUCTIONEERMy I start at twenty francs? Fifteen, then? Fifteen I am bid. (the bidding continues. RAOUL eventually buys the box for thirty francs) Sold, for thirty francs to the Vicomte de Chagny. Thank you once again, sir. (The box is handed across to RAOUL. He studies it, as attention focuses on him for a moment) RAOUL (quietly, half to himself, half to the box) A collector’s piece indeed . .every detail exactly as she said.. She often spoke of you, my friend ...Your velvet lining, and your figurine of lead... Will you still play, when all the rest of us are dead? (Attention returns to the AUCTIONEER, as he resumes) AUCTIONEER Lot 666, then: a chandelier in pieces. Some of you may recall the strange affair of the Phantom of the Opera: a mystery never fully explained. We are told ladies and gentlemen, that this is the very chandelier which figures in the famous disaster. Our workshops have restored it and fitted up parts of it with wiring for the new electric light, so that we may get a hint of what it may look like when re- assembled. Perhaps we may frighten away the ghost of so many years ago with a little illumination, gentlemen? (The AUCTIONEER switches on the chandelier There is an enormous flash, and the OVERTURE begins. During the overture the opera house is restored to its earlier grandeur. The chandelier immense and glittering, rises magically from the stage, finally hovering high above the stalls). Scene 1 REHEARSALS FOR «HANNIBAL» BY CHALUMEAU] (We have reached the great choral scene in which HANNIBAL and his army return to save Carthage from the Roman invasion under Scipio. HANNIBAL is UBALDO PIANGI; ELISSA, Queen of Carthage (his mistress) is CARLOTTA GUIDICELLI. The two leading SLAVE GIRLS are played by MEG GIRY and CHRISTINE DAAE. MME. GIRY is the ballet mistress. M. REYER, the repetiteur, is in charge.We join the opera towards the end of ELISSA’s (CARLOTTA’s) great aria. She is alone, holding a present from the approaching HANNIBAL, a bleeding severed head) CARLOTTA (at the climax of an extravagant cade)This trophy from our saviours, from the enslaving force of Rome! (A STAGE HAND carries a ladder across the stage. OTHERS are seen still constructing parts of the scenery) GIRLS’ CHORUS With feasting and dancing and song, tonight in celebration we greet the victorious throng, returned to bring salvation! MEN’S CHORUS The trumpets of Carthage resound ! Hear, Romans, now and tremble! Hark to our step on the ground! ALL Hear the drums - Hannibal comes! И далее до конца фильма - обращайтесь!)